PR / Galerie MeetFactory / Word for Word
MEETFACTORY GALLERY
WORD FOR WORDRobert
Šalanda (CZ), Dušan Zahoranský (CZ)
Curator: Karina Pfeiffer KottováExhibition Designer: Jan
Pfeiffer
Exhibition
opening: September 12, 2013 at 7.00 p.m.
Length of the exhibition:
September 12 – October 27, 2013
MeetFactory Gallery opens
this autumnal season with a joint exhibition project of two significant
artists, active on the current Czecho-Slovak art scene, Robert Šalanda and
Dušan Zahoranský. A collaborative installation of a somewhat younger artistic pair
who met during their semestral study in Berlin: Czech artist Antonin Jirát and
Spanish Martin Llavaneras, opens on the same day at the adjacent Kostka Gallery.
While the first mentioned exhibition explores text, fonts and signs we
encounter not only in linguistics but also in the city, either by means of
painting or presenting objects, the other project treats its topic “swamps,
snares or a fix” on a less controlled level, haunted by inexplicable phantasy
and wild imagination on the verge of reality and dream.
Robert Šalanda (*1976) and Dušan Zahoranský (*1972) have clearly positioned themselves on the
Czech contemporary art scene. Both of them have achieved a distinguished
personal style, which, in case of Zahoranský, can be traced mainly in three-dimensional
installations, while Šalanda’s work consists predominantly in painting. However,
both authors like to reach out into other media of artistic expression. The
decisive moment that also inspired the idea of presenting these two artists
together has been their interest in
words, signs and linguistic phenomena, all of which are transferred to the
visual level. Meanings are being played with, enriched by new layers
produced by the artists’ imagination. Thus, in some respects, their work
follows the tradition of lettrism or visual poetry, which resounded in the
Czech milieu mainly in the 1960s. Apart from the artists’ interest in an
isolated sign and exploration of its visual aspect and shape, the works of
Zahoranský and Šalanda are penetrated by somewhat transformed poetry, in
connection with sometimes even banal contemporary statements, such as a pop
singer texts, or language of sports commentators. Another source of inspiration
is the city full of text and visual
reference, whose meanings are usually far from being neutral. As if a
person moving among today’s cities or even through the landscape surrounding
and interconnecting them would browse through a book of company logos and
(politicized, commercialized) statements, pushing his or her way through a dense
growth of distorted and, either obviously or secretly, manipulative systems of
signs.
Words taken out of their original context
become a sort of affirmation or life wisdom for Šalanda (e.g. “It’s natural to
hold tight but then your hands start to ache” – a comment from off-road
motorcycle racing). In case of Zahoranský, we encounter references to contents
or meanings that one may not be able to trace back (the “Manifesto”, “here and
now”). Current works of both artists are characterized by even deeper interest inlinguistic exploration and mastery of almost scientific practices,
which however result in an aesthetically rich fruition. Zahoranský makes
use of the Prague Linguistic Circle research. The Prague L. Circle was one of
the most influential schools of linguistic thinking before World War II.
Zahoranský explores the legacy of thinkers such as Jan Mukařovský or Jiří
Veltruský, as well as the current activities of this “Prague Focal Point”. Thus
his work becomes surprisingly committed – through the intersection of thought
influenced by linguistic angle, and the milieu of the city and commerce. In his
most recent projects, the artist works with textual and visual signs derived from everyday context, which however
acquire ambiguous or even subversive meaning in his objects.
At present, Šalanda’s key focus is mainly
linguistic consideration of set phrases or frequently repeated expressions in
the Czech language. A whole series of Šalanda’s work is about set phrases containing a color reference:“černý pasažér” (fare dodger, in Czech
the phrase contains the word “black”),“modré
z nebe” (the blue from the sky), etc. The artist provides these phrases
with – at a first glance non-compatible – visual likeness, nevertheless still
related to their original meaning. The works of both artists share humor, even
certain dose of irony and ease, with which they handle their topics. The words,
signs, colors, and shapes often end up in surprising situations that capture
viewer’s imagination on both verbal and purely emotional level.
The Word for Word exhibition is itself a sort
of visual poetry transferred into an actual context. Both artists created new
works for it, which reflect not just their current pondering on the topics
mentioned, but also respond to the specific gallery’s space and to discussions
evolved from this rather surprising connection within one exhibition – it is
these artists’ first collaborative project. The exhibition’s composition, enhanced by Jan Pfeiffer’s design, should
tell the viewer a kind of non-linear story of shifted meanings and chances to
read between the lines, as well as render a strong visual experience. Thus
the spectator becomes an active co-author, the missing word in a sentence. The
project would like to show that the connection between visual art and
linguistics, their mutual inspiration and influence is still relevant and
brings about new challenges associated with shifts and changes achieved in both
disciplines.
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Open daily 13 - 20 h
Voluntary admission fee
A catalogue will be
published, containing texts by Karina Kottová, Tomáš
Hoskovec and Juliana Sokolová.
For accompanying
program to the exhibition during the Prague Museum Night, artist guided
tours and lectures see our website www.meetfactory.cz.
You may also order
exhibition-specific guided tours and workshops for schools and groups.
Contact
and more information:
Petr Hrubeš - PR and Promotion
petr@meetfactory.cz
+
420 602 367 552
Karina Kottová - Curator
karina@meetfactory.cz
+
420 732 464 434
This
exhibition is supported by the subsidy from the Czech State Culture Fund. In 2013, MeetFactory is supported by the grant of
6,500.000 CZK from the City of Prague.