The works of Adrian Giros maintain a close relationship to the sound, which although notexclusive, is a key element of his practice. Each of his creations is first thought from the sublimation of a memory, an event from which emerges a potential constituent acoustic experience of a work to come.
At the intersection of "musical-objects" and sound sculpture, his works most often take the form of immersive devices, construction of the space and in the space, in which the apparentimmateriality of the medium takes its form and is expanding in order to become inevitable.
Creating real soundscapes, Adrien Giros works the same malleability of the material, its plastic and spatial potential, but also its ability to act on both our physical and our psyche.
Text by: Edouard Montessuit