CT / Kostka Gallery / Jiří Žák (CZ): Mother City
Kostka Gallery
Curatorial text: Anna
Remešová
Opening: 21. 1. 2016,
19:00Exhibition duration: 21.
1. – 7. 2. 2016
A regular
grid of family houses sets the rhythm for the green hillsides of Zlín. The hill
descends to the river where the factories stand. Shoes are being made there.
People working. Cut. In his office, the factory owner Jan Antonín Baťa, brother
of the company founder Tomáš Baťa, bends over large sheets of maps, inspecting
them and dreaming how much it would cost to move the peoples of Czechoslovakia
to Brazil.
Utopist?
Modernist
visionary?
Colonist?
The Mother Town installation looks back to
the visionary ideas of Jan Antonín Baťa, who in the 1920s and 1930s was
extending the Baťa shoe company by establishing affiliations and factory towns
in Canada, France, India, on Java... Namely Brazil had special attraction for
him. There he moved with his whole family in 1940 to establish four new cities.
In good faith in the growing capital of his company and boosting the country’s
economic development he changed irreversibly the character of Brazilian
landscape, planting in it his shoe factories. New townships, river dams and
whole economic territories grew amidst the rainforests.
“This is a strange world we live in.” Jan Antonín Baťa
In his
video-essay Jiří Žák puts images side by side, one after another, however his
voice is not affirmative, neither ardently anti colonial. He slowly dismantles
the aura of one legend to parts in order to put them together in a new whole.
He sets the rhythm by alternating shots from the Museum of Southeastern
Moravia, from period newsreels and Baťa Company instructional videos. There is
something from the Alain Resnais’ criticism and Chris Marker’s poetics in it.
At the same time a tension occurs in Jiří Žák’s narrative between people coming
with great confidence and holding power in their hands in the form of a paid
job offer on the one hand, and local citizens accepting Baťa’s visions without
a single word on the other. Yet where lies the dividing line between acceptance
and acknowledgement? And who has got more, the shod or the unshod ones?
Jiří Žák (*1989) is the student at Tomáš Vaněk Studio of
Intermedia Production at the Prague AVU (Academy of Visual Arts). He paid study
visits to the Prague UMPRUM (Academy of Arts, Architecture and Design) – Šaloun
Studio, and the University of Arts and Design in Karlsruhe. He is this year’s
laureate of the EXIT Award, designed for students of Czech and Slovak Art
Academies. In his works he employs a video-essayist approach and critical
reflection on historical events.
---
Contact and more information:
Šárka Maroušková → PR Manager+420 723 706 249
sarka.marouskova@meetfactory.czMilan Palán → PR+420 608 139 891
milan.palan@meetfactory.cz
MeetFactory –
a place for live artOur mission is to foster a dialogue between individual
genres and make the current happenings on the art scene accessible to the
widest public.
We aim to create a space where art is alive and artists are
present, enhancing a direct exchange between international artists and
visitors.
MeetFactory is supported
in 2016 by a grant from the City of Prague amounting to 10.000.000 CZK.
CT - Mother City - ENG.pdf