CT / MeetFactory Gallery / Objektonomy: The Economy of the Object
Curator: Sally Haftel Naveh
Opening: 3. 9., 7pm
Exhibition duration:
3. 9. – 11. 10. 2015
Artists: Sharon Balaban (IL), Jakub Geltner
(CZ), Zac Hacmon (IL), Roy Menachem Markovich (IL), Jan Nálevka (CZ), Hila
Toony Navok (IL), Rona Stern (IL), Adam Vačkář (CZ), Aleksandra Vajd & Hynek
Alt (CZ), Roni Weiss (IL)
As a central component of visual arts ever
since the early modernism of the twentieth century, mass‐produced objects still
retain a great
significance in carrying
out artistic actions, from the
initial gesture of Marcel Duchamp in his ready‐made to the American pop art
of the 1960’s
and 1970’s –
a movement that
“rediscovered” the artistic
potential of commodities, labeling
them as the
quintessential symbol and
derivative of a
capitalist consumer culture.
In light of the centennial to Duchamp’s ready-made, celebrated
at a time of global capitalism, neo-liberal trends, deregulation and the
ascendance of multinational corporations whose power threatens to destabilize
societies everywhere, it is interesting to reexamine the status and
representation of everyday commodities – objects that, more than just mere
utilitarian means, have come to dominate our entire existence.
The exhibition Objectonomy at MeetFactory
aims to explore the economy of the
commercial object in
contemporary art through
works by 10
artists from Israel
and the Czech Republic,
all of whom
deal primarily with
this thematic. The works assembled, in different media,
incorporate objects of mass‐produced origin – both mundane and functional – which have become a central and vital
component of today's Western consumerist society.
An abundance of widely available everyday
consumer goods, drawn mostly from the realm of the domestic, dominates the
subject matter of the works on view – from kitchen towels, bathroom accessories
and plastic detergent containers to processed food, toys, cosmetics, electronic
gear and more – uncovering society’s complex relationship with consumerism in‐between fascination and distaste. Reflecting the growing ambivalence
with which we have come to consider the excess that surrounds us, they engage
critically and sarcastically with a growing obsession that is at the root of our love‐hate relationship with them – a tangled relationship where
the balance between subject (the consumer) and object (the commodity) has been
broken, doing away with this perceived hierarchy to a point where it is no
longer clear who is in charge of whom.
This tangled relationship finds its way to
artistic creation, reformulating the iconographic reading of these commodities
through a new representational dialectic that transforms the prosaic and
commonplace – whether explicitly or metaphorically – into a series of
critically charged, significant and
reflexive moments, however
humoristic in their
presentation. Explored through a wide range of artistic
strategies, this new
representational dialectic
vacillates between an attempted sublimation and glorification of the object on
the one hand and ironically
ridiculing it on the
other, giving way,
in between those two extremities, to representations where the
object becomes a referential
vehicle for emotional
expression and the perpetuation of memory.
The works presented are all about artistic
subjectivity, questioning in addition the
artist’s role as a social‐cultural agent in his readiness to point out and underline the
problematic of contemporary daily life in a hyper-consumerist world.
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Contact and more information:
Tereza Moravcová - PR & Marketing
tereza.moravcova@meetfactory.cz
+ 420 608 212 548
In 2015, the MeetFactory is supported by the grant of 6.5 million CZK from
the City of Prague and by the Ministry of Culture of the Czech Republic.